Writer’s Log: 1523 To all new authors

To all new authors out there, (here’s a shaker of salt, spread that around first won’t you…)

Now, to all authors who are starting out on their first novel. STOP! I mean, don’t like, STOP completely. Only stop and listen to this short public service announcement:

DO NOT WRITE A COMPLETE NOVEL WITHOUT PROOFING IT IN STAGES.

That will be all. Goodnight and good luck.

What? You want more than that? Explanation maybe? Well, alright. Here you go.

  • Write your first 5000 words and then get those beat to a bloody pulp.
    Don’t write another word until those first words are crushed and shredded and torn asunder. You need to know that your so called ‘style’, your knowledge of prose construction, may not be all that it’s cracked up to be. Mine wasn’t. Mine was abysmal. Anyway, stop, do not proceed until you have gotten your writing, the actual mechanics of writing compelling fiction, down much better than you think you do.
  • Now, write your next 5000 words, and yes, STOP there too.
    So, now that you think you’ve gotten the shop-floor process under your belt, that you think you can start rearranging the work flow. Nuh-ah. No way. Your next task is to take your 10,000 words and, hey, look at that, you’ve got 1/8th of a novel completed. Does it have the plot firmly established? Does your MC, your main character have a dark unknown past? Have you established the stakes? Do you have an antagonist? Do you have an ending in sight? Have you figured out the big ‘change’ your MC will undergo? Yes? Well alright then.
  • Write your next 10,000 words and then STOP. (Getting tired of stopping yet?)
    Here you need to step back, way back, and consider your theme, your story’s arc. Does it warrant finishing? Have you created a sub-par plot, a cliche’ meme? Are you nosing along the same worn path as tropes of your genre have blazed a thousand times before? Are you writing something unique and compelling — so much so that you, YOU, will feel compelled to finish it? Yes? Well, moving on then.
  • Finish the damn story.
  • Did you have a climax? Did you build up the tension and character development the whole time? Did you leave a trail of inference, crumbs your readers can follow and extrapolate on their own? Did you fulfill your MC’s goal? Did she/he change? Did you leave some questions in the end so that your reader doesn’t feel all wrapped up like a burrito? Yes? Good.
  • Now put it away for at least TWO MONTHS.
  • Write something else.
  • Now, with your original story, is the story, as you remember it, still compelling? Still worthy? Have you learned additional skills, more stylistic treatment of dialog, of tension, of character development that you can now apply to this story? Good.
  • Now rewrite it, line by line, word by word, as if you’ve never read it before.
  • Put it away for another TWO MONTHS.
  • Write something else.
  • Reread it as if you’re completely unaware of the story. Does it ring true? Does it speak to you? Your soul, your heart of hearts? Do you find yourself just reading it — not judging it, as if you’ve fallen into the story and can’t help but continue?
  • OK, here you go. Now you can start to consider querying it or self-publishing it. You have of course already submitted parts of it during your learning process to friends and literary types for evaluation — right? RIGHT? Good.
  • OK, publish this bad-boy.
  • Begin editing your next story.
  • Repeat.

[Postscript: Why would you write this way? Well, If you think you can sit down and bang out a novel, without any mind to the writing — you’re dead wrong. What you’ll have in the end is this thing. This godforsaken, putrid thing that will take so much work — fixing the actual writing — that you’ll feel defeated, right out of the gate.

So don’t. Don’t think you can just write a novel without first getting at least WAY better at the CRAFT of WRITING. Work the craft as if you were Wax On and Wax Off — right? OK, carry on then.]


4 responses to “Writer’s Log: 1523 To all new authors

  • Anony Mole

    1) Build your own set of heuristics (rules of thumb). You collect these as nuggets of advice along the way. The trick is to codify them so that they’re easy to remember which will allow them to become part of your writer’s mind (eventually).
    2) When starting out, seek feedback from critical readers. The last thing you want is to be placated by platitudes. You will suck and you need to learn why — and how to fix the suckage.
    3) Begin with extremely low expectations when it comes to publishing your work. The probabilities are extremely low that you will get traditionally published. However, know that self-publishing is easy and cheap.
    4) This is a long-view endeavor. Expect to spend a number of years learning the ropes and finding your voice.
    5) Start right now. Build your corpus of work: blog posts, short stories, poems, articles, novelettes, novellas and your eventual shelf laden array of novels.

    Like

  • Jessie

    I find that putting the novel away and coming back to it really works wonders. I’m picking back up the novel I completed in 2008 and looking at it fresh. Though I definitely want to rewrite it, the story seems worth it! But I can never tell until you walk away from it for a while. (This, unfortunately, is also true with shorter pieces that have turnaround times. Part of being a professional writer is learning to manage this, but having some time to review a piece before a deadline is really wonderful when it happens!)

    Liked by 1 person

  • Michael James

    I love this idea, I am going to try it (I’m on book #2). I used something similar for book number one and I’m with you on getting too far down a path before realizing your book is pure crap. It’s very discouraging

    Liked by 1 person

  • Anony Mole

    What you want at the end of your first novel writing experience is this: the feeling that, “hey, this is not great, but hell, I’m proud of it. Sure I can do better now, but for a first novel — it’s pretty good.”

    What you don’t want, what may KILL your whole writing future is this: “Holy shit, this thing is a piece of stinking donkey dung. A forth grader could have written better than this. Christ! Why did I spend so much time writing this doggerel trash?”

    No, you don’t want that.

    Like

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