May I present your new keyboard layout. It is based on the character counts from Moby Dick.
It’s based on the letter frequencies derived from Herman Melville’s Moby Dick.
What we did was to take the letters, and balance them left to right around frequency and distance to move one’s fingers. This is how the keyboard should have been designed from the beginning. This would have been the most efficient pattern to build a keyboard. (No, Dvorak’s is better than the QWERTY but not as well designed as this specification).
By placing letters clustered by frequency, but on opposite sides of the board, we balance the work done by both hands.
Notice we separate the comma and period, no shift necessary. The slash and backslash are combined, as well as the 1 and pipe. The brackets are placed opposite as well as the question mark and exclamation. All the other keys are essentially left alone. The colon and semi-colon have been moved as those two have no place resting beneath the right hand pinky finger.
No doubt some further optimizations could be applied, two letter combinations that appear more frequently than others, but for the most part, this layout is a far superior model for human hand configuration.
Here are the frequencies as extracted from that historic text:
[Continuing on this whale of a theory, more than just the frequency of key strokes should be considered. By doing a simple random key press test of about 500 keys, reached by their ease of access, I was able to produce a actual touch count which should be used as an overlay to place the letter counts from above.
For instance, the “F” key is indeed the most readily pressed key. The “J” key, the next down. But oddly the “I” key and the “W” keys (on the QWERTY board) come with high counts too. So, more accurately, a random finger press test should be used as the basis to determine finger extent and counts and then the letter counts from Moby Dick applied over top.
If this sounds like rambling, you’re right. Vicodin is a great drug.]