We all wear masks

In the United States, Thanksgiving is over and most of us can store away the masks we wear for family occasions. We unlock the chest, rummage to the bottom, and tuck them beneath the yearbooks and faded photo albums. We’ll unearth them again at the Winter Solstice holiday (Hanukah, Christmas, Kwanzaa and the New Year).

Meanwhile, we’ll only have to tote around the two or three we use daily to get through our work-a-day lives. Flip-slip-snap! On goes the work-mask. Zip-clip-pip! Here we swap one out to talk to our children (or elders). Peal-squeal-kneel, we don the one we wear for our spouse.

These masks we wear, do we even consider them? Do we ever resent them? Or, embrace them — gathering them in droves as flavors of personalities we expose?

And then, at night, we sleep and our masks melt away while we dream; our true selves bubble up through the falsity of cultural-behavioral control. In our dreams we are who we are, our masks flitting over our faces like tissue — there and gone, torn away by our unconscious desires to be both ourselves and our un-selves.

How many masks do you wear? Are there those you find uncomfortable? Alluring? Disturbing?

 

Writer’s Log: 1790 Sentiment Cycle

Ready for maths? No? Well, how about pictures?

TGE_SentimentCycle

Nice, Mole, what are we looking at?

What you see before you is a word sentiment chart of The Gribble’s Eye plotted over the length of the story. This was created using some “R” code and the libraries offered by the professor behind http://www.archerjockers.com/

The pair of people behind the book The Bestseller Code used such code to allow them to grade and understand the so-called literary market: https://books.google.com/books/about/The_Bestseller_Code.html?id=4fXUDAAAQBAJ&printsec=frontcover&source=kp_read_button#v=onepage&q&f=false

I took their code and ran my second, wee novel through it. And that picture is what the code produced.

Sentiment goes up and down. Happy and gay and positive. Sad, angry, loathsome and negative. Good books have a signature sine wave of sentiment. Marketable books have this even more.

Now, mine is neither good nor marketable, but, it’s interesting to note that there is a definite pattern to the story: We start up, then down, up, down, and end on a big UP!

Whee! What a ride.

You want to do this for your own story? Sure. Here’s the R code:

library(syuzhet)
library(readtext)
setwd("C:\\Documents and Settings\\MeTheUser\\Desktop\\")
text <- get_text_as_string("YOURBOOK.txt")
s_v <- get_sentences(text)
raw_values <- get_sentiment(s_v, method = "syuzhet")
dct_vals <- get_dct_transform(raw_values)
simple_plot(raw_values, title = "TITLE OF BOOK", legend_pos = "top", lps = 20, window = 0.05)

You’ll have to struggle with installing the supporting modules — but, hey! You’re smart. You can figure it out.

(If you can’t, send me your story text — just words — and I’ll run them through this bit of code for you.)